Context (background, environment) - the time, place, and, in particular, the culture in which a text is created.
Studying context allows us to position texts within a wider cultural background. Without this knowledge, it can be difficult to understand the original purpose of a text, and to recognise specific cultural references made by creators to engage their audiences.
Let's consider an example of a text that was created in a very specific context.
A 2020 episode of the US cartoon South Park named "The Pandemic Special" focuses on the impact of the coronavirus on the titular town of South Park. The plot revolves around characters being placed in absurd situations as a result of the virus, with humorous (and gleefully distasteful) results.
When this episode first aired, audiences were still very much in the grip of the pandemic. Thus, many of the situations and observations in the episode were familiar and relatable. The humour proved effective, and the episode rated well.
However, imagine audiences watching this episode decades, or even centuries, later. We can expect that as the collective memory of the coronavirus fades, references to social distancing and being stuck in lockdown will have less impact on viewers.
Context, then, is critical to understanding and appreciating the South Park episode "The Pandemic Special".
In English, we often study texts that were produced in very different contexts to our own. The more we learn about the political, economic and cultural conventions of these contexts, the more we can understand what creators are trying to achieve through their work.
In addition, just as context allows us to better understand texts, so too do texts allow us to better understand context. Studying stories from other cultures and time periods provides a window into these worlds, giving us a broader understanding of what it means to be human.
While texts can tell us a lot about the lives of people from different times and places, sometimes we come across texts with content that is no longer considered acceptable in our own culture.
For example, I love the 1961 film Breakfast at Tiffany's starring Audrey Hepburn. The script is funny, the finale touching, and the performances engaging. That is, with the exception of the character of Mr. Yunioshi, played by Mickey Rooney.
As you can see, these names don't quite match. Mickey Rooney is a white American playing a Japanese character, and his stereotypical performance is truly painful to watch given modern sensibilities.
How, then, should we approach such texts? Should they be avoided because they feature offensive content, or can we still enjoy them while acknowledging their problematic elements?